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		<title>Subtil samhällskritik i iransk film</title>
		<link>https://www.opulens.se/scenkonst/subtil-samhallskritik-i-iransk-film/</link>
		
		<dc:creator><![CDATA[FILIP HALLBÄCK]]></dc:creator>
		<pubDate>Fri, 03 Mar 2023 13:03:43 +0000</pubDate>
				<category><![CDATA[Scen & film]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[filmrecension]]></category>
		<category><![CDATA[Jafar Panahi]]></category>
		<category><![CDATA[Naser Hashemi]]></category>
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					<description><![CDATA[<img width="1024" height="576" src="https://www.opulens.se/wp-content/uploads/2023/03/Screenshot-2023-03-02-at-14.44.0272-1024x576.png" class="attachment-large size-large wp-post-image" alt="" style="float:left; margin:0 15px 15px 0;" fetchpriority="high" srcset="https://www.opulens.se/wp-content/uploads/2023/03/Screenshot-2023-03-02-at-14.44.0272-1024x576.png 1024w, https://www.opulens.se/wp-content/uploads/2023/03/Screenshot-2023-03-02-at-14.44.0272-300x169.png 300w, https://www.opulens.se/wp-content/uploads/2023/03/Screenshot-2023-03-02-at-14.44.0272-600x338.png 600w, https://www.opulens.se/wp-content/uploads/2023/03/Screenshot-2023-03-02-at-14.44.0272-768x432.png 768w, https://www.opulens.se/wp-content/uploads/2023/03/Screenshot-2023-03-02-at-14.44.0272-480x270.png 480w, https://www.opulens.se/wp-content/uploads/2023/03/Screenshot-2023-03-02-at-14.44.0272-888x500.png 888w, https://www.opulens.se/wp-content/uploads/2023/03/Screenshot-2023-03-02-at-14.44.0272.png 1027w" sizes="(max-width: 1024px) 100vw, 1024px" /><p>GRÄNSÖVERSKRIDANDE. Filip Hallbäck anser att det &#8220;genom filmen pågår ett klurigt spel med åskådaren&#8221; då berättartonen i filmen är komplex på flera nivåer och &#8220;gränserna mellan det fiktiva och det dokumentära suddas ut.&#8221;</p>
<p>The post <a href="https://www.opulens.se/scenkonst/subtil-samhallskritik-i-iransk-film/">Subtil samhällskritik i iransk film</a> first appeared on <a href="https://www.opulens.se">Opulens</a>.</p>]]></description>
										<content:encoded><![CDATA[<img width="1024" height="576" src="https://www.opulens.se/wp-content/uploads/2023/03/Screenshot-2023-03-02-at-14.44.0272-1024x576.png" class="attachment-large size-large wp-post-image" alt="" style="float:left; margin:0 15px 15px 0;" decoding="async" loading="lazy" srcset="https://www.opulens.se/wp-content/uploads/2023/03/Screenshot-2023-03-02-at-14.44.0272-1024x576.png 1024w, https://www.opulens.se/wp-content/uploads/2023/03/Screenshot-2023-03-02-at-14.44.0272-300x169.png 300w, https://www.opulens.se/wp-content/uploads/2023/03/Screenshot-2023-03-02-at-14.44.0272-600x338.png 600w, https://www.opulens.se/wp-content/uploads/2023/03/Screenshot-2023-03-02-at-14.44.0272-768x432.png 768w, https://www.opulens.se/wp-content/uploads/2023/03/Screenshot-2023-03-02-at-14.44.0272-480x270.png 480w, https://www.opulens.se/wp-content/uploads/2023/03/Screenshot-2023-03-02-at-14.44.0272-888x500.png 888w, https://www.opulens.se/wp-content/uploads/2023/03/Screenshot-2023-03-02-at-14.44.0272.png 1027w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figure id="attachment_69871" aria-describedby="caption-attachment-69871" style="width: 1027px" class="wp-caption aligncenter"><img decoding="async" class="wp-image-69871 size-full" src="https://www.opulens.se/wp-content/uploads/2023/03/Screenshot-2023-03-02-at-14.44.0272.png" alt="" width="1027" height="578" srcset="https://www.opulens.se/wp-content/uploads/2023/03/Screenshot-2023-03-02-at-14.44.0272.png 1027w, https://www.opulens.se/wp-content/uploads/2023/03/Screenshot-2023-03-02-at-14.44.0272-300x169.png 300w, https://www.opulens.se/wp-content/uploads/2023/03/Screenshot-2023-03-02-at-14.44.0272-600x338.png 600w, https://www.opulens.se/wp-content/uploads/2023/03/Screenshot-2023-03-02-at-14.44.0272-1024x576.png 1024w, https://www.opulens.se/wp-content/uploads/2023/03/Screenshot-2023-03-02-at-14.44.0272-768x432.png 768w, https://www.opulens.se/wp-content/uploads/2023/03/Screenshot-2023-03-02-at-14.44.0272-480x270.png 480w, https://www.opulens.se/wp-content/uploads/2023/03/Screenshot-2023-03-02-at-14.44.0272-888x500.png 888w" sizes="(max-width: 1027px) 100vw, 1027px" /><figcaption id="caption-attachment-69871" class="wp-caption-text"><em>Foto: WOLF konsulter: Gordon Spragg, Laurin Dietrich, Michael Arnon</em></figcaption></figure>
<p><strong>GRÄNSÖVERSKRIDANDE. Filip Hallbäck anser att det &#8220;genom filmen <span style="font-weight: 400;"><strong>pågår ett klurigt spel med åskådaren&#8221; då berättartonen i filmen är komplex på flera nivåer och &#8220;gränserna mellan det fiktiva och det dokumentära suddas ut.&#8221;</strong></span></strong></p>
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<figure id="attachment_33979" aria-describedby="caption-attachment-33979" style="width: 199px" class="wp-caption alignleft"><img decoding="async" class="wp-image-33979 size-full" src="https://www.opulens.se/wp-content/uploads/2020/11/Filip-Hallbäck72-scaled-e1604859035752.jpg" alt="FILIP HALLBÄCK" width="199" height="265" /><figcaption id="caption-attachment-33979" class="wp-caption-text"><b>FILIP HALLBÄCK</b><br />info@opulens.se</figcaption></figure><p>The post <a href="https://www.opulens.se/scenkonst/subtil-samhallskritik-i-iransk-film/">Subtil samhällskritik i iransk film</a> first appeared on <a href="https://www.opulens.se">Opulens</a>.</p>]]></content:encoded>
					
		
		
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